Lindsay is a versatile British composer creating evocative and emotional scores across all genres of film, television and games. Her work combines contemporary classical instrumentation and traditional practices with modern electronics and experimental techniques, culminating in an original and unique sound palette for every score.
She recently scored the HBO/BBC feature documentary The Mystery of D.B. Cooper with Tim Atack; the three part BBC documentary series Inside Monaco and the four part BBC series 21 Again. She also scored the upcoming BFI backed coming of age short drama Pop starring Stephen Graham; the acclaimed short documentaries Entitled and Dark Matter as part of Channel 4’s Random Acts; and BAFTA winning director Caroline Bartleet’s short drama The Bind for BBC Films. Her work in advertising includes the latest British Airways online and broadcast media campaign, ‘Take Off to the People and Places You Love’.
Lindsay has worked extensively in the music department on high end television and film projects, contributing additional music for Stan Lee’s Lucky Man, starring James Nesbitt; Sky Atlantic’s The Tunnel, starring Stephen Dillane and Cleménce Poésy; and feature film The Aftermath, a period drama starring Keira Knightley and Alexander Skarsgård. Lindsay is the music editor for the third and fourth series of Netflix’s multi award winning drama The Crown, starring Olivia Colman, Tobias Menzies and Helena Bonham Carter. Alongside her colleagues, she was nominated for the 2020 Emmy Award for Outstanding Sound Editing in a Comedy or Drama Series. She was also the music editor for the Amazon Studios drama series The Feed starring Guy Burnet, Michelle Fairley and David Thewlis; the upcoming Netflix feature The Forgotten Battle starring Tom Felton, and has edited soundtrack albums for BBC’s Peaky Blinders and Black Earth Rising.
Highly musically creative from a young age, Lindsay grew up performing in orchestras, chamber ensembles and bands before graduating from the Royal Birmingham Conservatoire with a First Class BMus (Hons) degree. She continued her studies with a MA in Composing for Film, Television & Games at the National Film and Television School. She then began her career working as an assistant and programmer for composers such as Carly Paradis on the Netflix drama series The Innocents and BBC’s Line of Duty; Ben Bartlett on the acclaimed ITV detective series Vera; and Theo Vigden for the second season of the BBC comedy series Hold The Sunset and Disney’s 101 Dalmatian Street. As well as writing for media, Lindsay is developing her work as a solo artist, with an upcoming EP release coming soon.
Lindsay is a versatile British composer creating evocative and emotional scores across all genres of film, television and games. Her work combines contemporary classical instrumentation and traditional practices with modern electronics and experimental techniques, culminating in an original and unique sound palette for every score.
She recently scored the HBO/BBC feature documentary The Mystery of D.B. Cooper with Tim Atack; the three part BBC documentary series Inside Monaco and the four part BBC series 21 Again. She also scored the upcoming BFI backed coming of age short drama Pop starring Stephen Graham; the acclaimed short documentaries Entitled and Dark Matter as part of Channel 4’s Random Acts; and BAFTA winning director Caroline Bartleet’s short drama The Bind for BBC Films. Her work in advertising includes the latest British Airways online and broadcast media campaign, ‘Take Off to the People and Places You Love’.
Lindsay has worked extensively in the music department on high end television and film projects, contributing additional music for Stan Lee’s Lucky Man, starring James Nesbitt; Sky Atlantic’s The Tunnel, starring Stephen Dillane and Cleménce Poésy; and feature film The Aftermath, a period drama starring Keira Knightley and Alexander Skarsgård. Lindsay is the music editor for the third and fourth series of Netflix’s multi award winning drama The Crown, starring Olivia Colman, Tobias Menzies and Helena Bonham Carter. Alongside her colleagues, she was nominated for the 2020 Emmy Award for Outstanding Sound Editing in a Comedy or Drama Series. She was also the music editor for the Amazon Studios drama series The Feed starring Guy Burnet, Michelle Fairley and David Thewlis; the upcoming Netflix feature The Forgotten Battle starring Tom Felton, and has edited soundtrack albums for BBC’s Peaky Blinders and Black Earth Rising.
Highly musically creative from a young age, Lindsay grew up performing in orchestras, chamber ensembles and bands before graduating from the Royal Birmingham Conservatoire with a First Class BMus (Hons) degree. She continued her studies with a MA in Composing for Film, Television & Games at the National Film and Television School. She then began her career working as an assistant and programmer for composers such as Carly Paradis on the Netflix drama series The Innocents and BBC’s Line of Duty; Ben Bartlett on the acclaimed ITV detective series Vera; and Theo Vigden for the second season of the BBC comedy series Hold The Sunset and Disney’s 101 Dalmatian Street. As well as writing for media, Lindsay is developing her work as a solo artist, with an upcoming EP release coming soon.
Lindsay is a versatile British composer creating evocative and emotional scores across all genres of film, television and games. Her work combines contemporary classical instrumentation and traditional practices with modern electronics and experimental techniques, culminating in an original and unique sound palette for every score.
She recently scored the HBO/BBC feature documentary The Mystery of D.B. Cooper with Tim Atack; the three part BBC documentary series Inside Monaco and the four part BBC series 21 Again. She also scored the upcoming BFI backed coming of age short drama Pop starring Stephen Graham; the acclaimed short documentaries Entitled and Dark Matter as part of Channel 4’s Random Acts; and BAFTA winning director Caroline Bartleet’s short drama The Bind for BBC Films. Her work in advertising includes the latest British Airways online and broadcast media campaign, ‘Take Off to the People and Places You Love’.
Lindsay has worked extensively in the music department on high end television and film projects, contributing additional music for Stan Lee’s Lucky Man, starring James Nesbitt; Sky Atlantic’s The Tunnel, starring Stephen Dillane and Cleménce Poésy; and feature film The Aftermath, a period drama starring Keira Knightley and Alexander Skarsgård. Lindsay is the music editor for the third and fourth series of Netflix’s multi award winning drama The Crown, starring Olivia Colman, Tobias Menzies and Helena Bonham Carter. Alongside her colleagues, she was nominated for the 2020 Emmy Award for Outstanding Sound Editing in a Comedy or Drama Series. She was also the music editor for the Amazon Studios drama series The Feed starring Guy Burnet, Michelle Fairley and David Thewlis; the upcoming Netflix feature The Forgotten Battle starring Tom Felton, and has edited soundtrack albums for BBC’s Peaky Blinders and Black Earth Rising.
Highly musically creative from a young age, Lindsay grew up performing in orchestras, chamber ensembles and bands before graduating from the Royal Birmingham Conservatoire with a First Class BMus (Hons) degree. She continued her studies with a MA in Composing for Film, Television & Games at the National Film and Television School. She then began her career working as an assistant and programmer for composers such as Carly Paradis on the Netflix drama series The Innocents and BBC’s Line of Duty; Ben Bartlett on the acclaimed ITV detective series Vera; and Theo Vigden for the second season of the BBC comedy series Hold The Sunset and Disney’s 101 Dalmatian Street. As well as writing for media, Lindsay is developing her work as a solo artist, with an upcoming EP release coming soon.