Imogen

Reay

Wieden+Kennedy
London
Music Supervisor //
Advertising

Imogen began her career interning at record labels before joining Concord Music Publishing, where she pitched the company’s roster for film, TV and advertising. This led to her first Music Supervisor role at Twenty Below, before joining the in-house music team at Wieden+Kennedy. There, she works globally with creatives, artists and composers to find, license and create music for brands including Nike, Ford and Absolut.

A dedicated music obsessive, she spends much of her time at gigs or down rabbit holes of film scores, constantly discovering new artists and composers and imagining how those sounds might one day collide with the right piece of film.

Imogen

Reay

2026

Judge

Music Supervisor //
Advertising
Wieden+Kennedy

London

Imogen began her career interning at record labels before joining Concord Music Publishing, where she pitched the company’s roster for film, TV and advertising. This led to her first Music Supervisor role at Twenty Below, before joining the in-house music team at Wieden+Kennedy. There, she works globally with creatives, artists and composers to find, license and create music for brands including Nike, Ford and Absolut.

A dedicated music obsessive, she spends much of her time at gigs or down rabbit holes of film scores, constantly discovering new artists and composers and imagining how those sounds might one day collide with the right piece of film.

Imogen began her career interning at record labels before joining Concord Music Publishing, where she pitched the company’s roster for film, TV and advertising. This led to her first Music Supervisor role at Twenty Below, before joining the in-house music team at Wieden+Kennedy. There, she works globally with creatives, artists and composers to find, license and create music for brands including Nike, Ford and Absolut.

A dedicated music obsessive, she spends much of her time at gigs or down rabbit holes of film scores, constantly discovering new artists and composers and imagining how those sounds might one day collide with the right piece of film.