Voted “Music Supervisor of the Year” in 2020 at AIM Sync and nominated for a Music and Sound Award for The Crown Series 3 Trailer, Emma is a freelance music supervisor and consultant, previously being the sole in house supervisor at Create London, an award winning creative agency.
Specialising in trailers, Emma enjoys discovering and applying unusual or unexpected tracks to really experiment and have fun with the trailer form, whilst keeping a firm handle on the necessary pacing and intensity required for these campaigns.
A composer herself and with direct experience working with editors, her music supervision always keeps an eye/ear out for ideas that can be developed or augmented and tailored to match the ‘voice’ of the client’s project or manipulated in interesting ways in the edit.
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Voted “Music Supervisor of the Year” in 2020 at AIM Sync and nominated for a Music and Sound Award for The Crown Series 3 Trailer, Emma is a freelance music supervisor and consultant, previously being the sole in house supervisor at Create London, an award winning creative agency.
Specialising in trailers, Emma enjoys discovering and applying unusual or unexpected tracks to really experiment and have fun with the trailer form, whilst keeping a firm handle on the necessary pacing and intensity required for these campaigns.
A composer herself and with direct experience working with editors, her music supervision always keeps an eye/ear out for ideas that can be developed or augmented and tailored to match the ‘voice’ of the client’s project or manipulated in interesting ways in the edit.
Voted “Music Supervisor of the Year” in 2020 at AIM Sync and nominated for a Music and Sound Award for The Crown Series 3 Trailer, Emma is a freelance music supervisor and consultant, previously being the sole in house supervisor at Create London, an award winning creative agency.
Specialising in trailers, Emma enjoys discovering and applying unusual or unexpected tracks to really experiment and have fun with the trailer form, whilst keeping a firm handle on the necessary pacing and intensity required for these campaigns.
A composer herself and with direct experience working with editors, her music supervision always keeps an eye/ear out for ideas that can be developed or augmented and tailored to match the ‘voice’ of the client’s project or manipulated in interesting ways in the edit.