Welcome to The Music+Sound Awards, the world’s first and only global awards programme celebrating the extraordinary impact of music and sound across all forms of media
We honour the talented composers, sound designers, supervisors, and sync teams who craft the sonic landscapes that move, inspire, and captivate audiences around the world. Aimed at professionals, worldwide, working in advertising, film, television and gaming, the awards are open to anyone who is or has been involved in the creation, composition, sourcing, licensing, briefing and / or production of music or sound design for any media.
Join us as we recognise the best in music and sound design and celebrate the individuals who are pushing the boundaries of sonic innovation.
All entry fees include a £5 donation to our charity partner, music therapists, NORDOFF & ROBBINS,who work with people living with disability, illness, or facing isolation to realise their potential through music.
We honour the talented composers, sound designers, supervisors, and sync teams who craft the sonic landscapes that move, inspire, and captivate audiences around the world. Aimed at professionals, worldwide, working in advertising, film, television and gaming, the awards are open to anyone who is or has been involved in the creation, composition, sourcing, licensing, briefing and / or production of music or sound design for any media.
Join us as we recognise the best in music and sound design and celebrate the individuals who are pushing the boundaries of sonic innovation.
All entry fees include a £5 donation to our charity partner, music therapists,
We honour the talented composers, sound designers, supervisors, and sync teams who craft the sonic landscapes that move, inspire, and captivate audiences around the world. Aimed at professionals, worldwide, working in advertising, film, television and gaming, the awards are open to anyone who is or has been involved in the creation, composition, sourcing, licensing, briefing and / or production of music or sound design for any media.
Join us as we recognise the best in music and sound design and celebrate the individuals who are pushing the boundaries of sonic innovation.
All entry fees include a £5 donation to our charity partner, music therapists, NORDOFF & ROBBINS, who work with people living with disability, illness, or facing isolation to realise their potential through music.
, who work with people living with disability, illness, or facing isolation to realise their potential through music.
Welcome to The Music+Sound Awards, the world’s first and only global awards programme celebrating the extraordinary impact of music and sound across all forms of media
We honour the talented composers, sound designers, supervisors, and sync teams who craft the sonic landscapes that move, inspire, and captivate audiences around the world. Aimed at professionals, worldwide, working in advertising, film, television and gaming, the awards are open to anyone who is or has been involved in the creation, composition, sourcing, licensing, briefing and / or production of music or sound design for any media.
Join us as we recognise the best in music and sound design and celebrate the individuals who are pushing the boundaries of sonic innovation.
All entry fees include a £5 donation to our charity partner, music therapists,
We honour the talented composers, sound designers, supervisors, and sync teams who craft the sonic landscapes that move, inspire, and captivate audiences around the world. Aimed at professionals, worldwide, working in advertising, film, television and gaming, the awards are open to anyone who is or has been involved in the creation, composition, sourcing, licensing, briefing and / or production of music or sound design for any media.
Join us as we recognise the best in music and sound design and celebrate the individuals who are pushing the boundaries of sonic innovation.
All entry fees include a £5 donation to our charity partner, music therapists, NORDOFF & ROBBINS, who work with people living with disability, illness, or facing isolation to realise their potential through music.
In-depth conversations with our judging panel, past and present.
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Entrant | Audio Mix: Tom Jucarone at Sound Lounge
Sound Designer: Brian Emrich
Sound Producer: Dana Villarreal
Agency: Quality Experience
Production Company: Pulse Films
Director: Aube Perrie
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Entrant | Sound Design: TiMi Studio Group
Sound Post-production: Pacific Standard Sound
Sound Designers: Eric Marks, Ryan Sullivan, Matt Yocum
Foley Artist: Post Apocalypse Sound
Re-Recording Mixer: Vianne Wang, Matt Yocum
Supervising Sound Editors: Yuanye Huang, Seane Chen, Vianne Wang
Director: Yu Shen
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Showreel Credits:
Project 1:
‘SCOTT’ (short film)
Director: George Sear
Credit: Composer
Project 2:
Volvo – EX90 ‘Moments that Never Happened’
Credit: Composer
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Entrant | Music Publisher: Lyric House
Music Supervision: Shelby Comstock Britten at Seismic Productions
Licensing Managers: James Paolano, Jessica Cole
Track Title: ‘You Belong’ Nicholas Lawrence Box & Adam Christopher Fischer / Hills x Hills
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Entrant | Voice Talent: Troy Baker (Indiana Jones) for ZeniMax Europe Ltd
Sound Facility: Formosa Interactive / Goodbye Kansas
Voice Director: Tom Keegan
Voice Producer: Mitra Ashkan Far
Dialogue Editors: Emily Hesler, Ted Sutton
Game Publisher: Bethesda Softworks
Developer: MachineGames
Game Director: Jerk Gustafsson
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Entrant | Sound Design: Hazelight Audio Team
Audio Director: Philip Eriksson
Sound Designers: Joakim Enigk Sjöberg, Göran Kristiansson, Gustav Landerholm, Filip Järnmark, Sebastian Pohle, Josh Smith, Pål Baglo, Ryan Twyman, Roald Carter, Marius Brovold, Boris Parunov, Svein-Ketil Bjøntegård
Foley Artists: David Silverin, Henrik Sunnåker, Elin Kristoffersen, Marco Lopez, Niki Gkonou
Game Director: Josef Fares
Games Publisher: Electronic Arts
Developer: Hazelight
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Entrant | Sound Design: Mosko, Pete Morse + FÄdER at The Crystal Creative
Production: Warner Bros Pictures, Major Major
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Entrant | Sound Design: James Drake + Raoul Brand at Splice Post
Sound Producer: Lydia Thatcher
Sound Mixers: Rob Entwistle, Kiff McManus, Caitlin McDaid, Simon Diggins George Atkins, Mike Tehrani
Supervising Sound Editor: James Drake
Re-Recording Mixer: Jules Woods
Foley Artists: Oliver Ferris, Adam Mendez, Jessica Watkins, Rob Davidson, Sue Harding
Dialogue Editor: Michele Woods
ADR Editor: Emma Butt
Production: It’s All Made Up Productions, Matriarch Productions, Plan B Entertainment, Warp Films, Netflix
Director: Philip Barantini
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Entrant | Sound Design: Michelle Cheuk + Chance Anderson at Brigham Young University
Director: Spencer Baird
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Entrant | Sound Design: Ben Baird at Aquarium Studios
Sound Mixer: Valentino Gianni
Sound Producer: Pam Thompson
Supervising Sound Editors: Ben Baird, Jack Wensley (dialogue)
Re-Recording Mixer: Ben Baird
Foley Artist: Jason Swanscott, Rob Price
Production: FilmNation Entertainment, House Productions
Director: Edward Berger
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Entrant: Hans Michael Anselmo Hess
Sound Producers: Lucas Mayer, Carol Masseti, Cassiano Derenji
Sound Designers: Hans Michael Anselmo Hess, Lucas Mayer, Wonder Bettin, Roger Lima, Silvinho Erné
Agency: Innocean Berlin
Agency Music Producer: DaHouse Audio
Production Company: RadicalMedia
Directors: Joana Colomar
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Entrant | Sound Design: Martin Leitner at Sounds Good Audio
Agency: Mutant
Production Company: Being
Director: Milo Blake
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Entrant | Composer: Kris Kovacs
Track: ‘Runamok’ Kris Kovacs + Jesse Chisholm / Backchat x SWWARMS
Music Publisher + Record Label: Lyric House
Music Supervision: Space Cowboy
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Showreel Credits:
Project 1: City Of Love
Track: ‘Hymne A L’Amour’ Edith Piaf
Agency: BBC Creative
Director, BBC Creative: Justin Bairamian
Senior Producer: Rachel Roberts
Production Company: Nexus Studios
Director: Fx Goby
Executive Producer: Jason Bartholomew
Producer: Rebecca Archer
Audio: Factory
Audio Creative Director: Anthony Moore
Sound Design + Mix: James Utting
Executive Audio Producer: Deborah Whitfield
Music Company: SIREN
Arranger: Rebekah Fitch
Music Supervisor: Alice Benton
Project 2: Creme Egg – Gooey Love Songs
Agency: VCCP / Girl & Bear
Chief Creative Officers: Chris Birch & Jonny Parker
Executive Creative Director: Simon Connor
TV Producer: David Vass
Production Company: Girl & Bear Ltd
Post Producer: Sarah Hemsley
Music Company: SIREN
Music Supervisor: Alice Benton
Full Track List (*tracks used in the film):
*1. The Shell To My Goo by Rebekah Fitch
*2. Tame This Wild Egg by Lana McDonagh, Toby Horton
*3. My Gooey Boo by Ashley Bates
*4. Dos Huevos Enamorados by Rebekah Fitch
*5. A Deep, Eggy Kinda Love by Ashley Bates
6. Dream Of Goo by Lana McDonagh, Toby Horton
7. Opposite Eggs Of The Spectrum by Wayne Murray,
Paul Rawson, Toby MacFarlaine
8. An Egg Made Of Steel by Wayne Murray, Paul
Rawson. Toby MacFarlaine
9. You’re A Priceless Egg To Me by King Toot, Rebekah Fitch
10. Eggy Harmony by Lana McDonagh, Toby Horton
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Entrant | Composer: Ruth Barrett
Vocals: Eera
Production Company: Tilted Productions for Netflix
Director: Michael Uppendahl
Written + Created by: Kathleen Jordan
Producer: Blake McCormick
Title Design: Plains of Yonder
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Entrant | Record Label: Power-Haus Creative
Music Supervisors: Greg Sweeney + Scenery Samundra for Motive Creative
Track: ‘Alpha Centuri’ Robin Hall
Music Publisher: A&G Songs Publishing
Licensing Manager: Roy Lidstone
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Entrant: Extreme Music
Track: ‘Express Yourself’ Dave Antrell
Music Supervision: Sinead Jenkins
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Entrant | Music Supervision: MassiveMusic Warsaw
Music Supervisors: Jakub Olechny, Chris Sulenta
Track: ‘Scoobidoo Love’ Paul Rothman
Music Publisher: Extreme Music (Sony Music Publishing)
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Entrant | Music Supervision: Twenty Below Music
Music Supervisors: Emily Pritchard, Imogen Reay + Luke Barham
Track: ‘Luna De Amor’ Juan Francisco Fridman & Juan Pablo De Mendonca / Sonora Marta La Reina Con Mamba Negra
Publisher / Label: Extreme Music
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Entrant: Riot Games
Composers: Alex Seaver + Sebastien Najand
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Entrants | Composers: Heather Jeanette Miley + Jake Warren
Broadcaster: Hulu/FX
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Entrant | Composer: Gordy Haab for ZeniMax Europe Ltd
Music Producers: Gordy Haab, Pete Ward, Christoffer Larsson
Audio Director: Pete Ward
Game Publisher: Bethesda Softworks
Game Developer: MachineGames
Game Director: Jerk Gustafsson
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Entrants | Composers: Alexander Temple + Alex Seaver of Mako
Studio: Netflix
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Entrant | Composer: Patrick Jonsson
Directors: Orlando von Einsiedel, Jorge Duran, Lali Houghton
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Entrant | Music Supervision: SixtyFour Music
Composer: Jess Dannheisser
Music Supervisors: Anne Booty + Joe Rice
Publisher: Northdog Publishing
Production Company: Two Rivers Media
Director: Toby Trackman
Producer: Deborah Lee
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Entrant | Composer: Stuart Hancock
Production Company: Filthy Gorgeous Productions
Director: Lee Knight
Producers: James Dean, Scottie Fotre, Max Marlow
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Entrant | Composers: Sara Barone + Forest Christenson
Production Companies: Hungry Bull Productions, Detention Films, Moo Studios, Slated, All The Better
Director: Kelsey Taylor
Producer: Adam Lee
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Entrant | Composer: Guido Maat at Heron Music
Agency: Lukkien
Director: Menno Fokma
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Entrant | Music Production Company: KOM (Kay-Oskwarek Music)
Composer: Philip Kay
Music Producer: Andy Oskwarek
Agency: BigTime Creative Shop
Production Company: ProdCo UK
Director: Alan Masferrer
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Project Title: Student Accomplice
Sound Design: Michelle Cheuk
Re-recording Mixer/Sound Editor: Chance Anderson
Music: Kevin West
Score Prep: Simon McBride
Producer: Brielle Hansen
Director: Spencer Baird
Art Director: Brandon Beltran
Lead Editor: Sydney Casper
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Entrant | Composer: Gordy Haab for ZeniMax Europe Ltd
Music Producers: Gordy Haab, Pete Ward, Christoffer Larsson
Audio Director: Pete Ward
Game Publisher: Bethesda Softworks
Game Developers: MachineGames
Game Director: Jerk Gustafsson
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Entrant: Source Sound Inc.
Sound Supervisor Designer: Charles Deenen
Sound Designers: Jai Berger, Nick Martin + Dominik Ragančík
Executive Producer: Daniel Lepervanche
Associate Producer: Kelly Baffoni
Sound Editors: Landen Belardes, Cadmus Blackwood
Production: Altered FX / Activision
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Entrant: The Elements Music
Re-Record Arranger: Vincent Pedulla, The Elements Music
Original Track: ‘If I Can Dream’ Walter Earl Brown / Elvis Presley
Music Publishers: Raleigh Music Group, Universal Music Publishing Group
Agency: Droga5
Music Supervision: Mike Ladman, Mara Techam
Production Company: SMUGGLER
Director: Jovan Todorović
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Entrant | Sound Design: Sam Ashwell + Jake Ashwell at 750mph
Sound Producer: Olivia Ray
Sound Mixer: Sam Ashwell
Agency: Wieden and Kennedy Portland
Production Company: Iconoclast LA
Director: MEGAFORCE
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Entrant: Sky TV
Track: ‘Moving On Up’ Mike Pickering, Michael Paul Heard / M People
Music Publishers: Universal Music Publishing Mgb Limited, Warner Chappell Music Ltd
Record Label: Sony Music Entertainment
Production Company: Water & Power Productions
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Entrant | Music Supervision: Squeak E. Clean Studios
Track: ‘Perfect’ Sam Spiegel, aka Sam i, Squeak E. Clean’s ECD / Founder
Director: Spike Jonze
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Entrant | Music Supervision: Tracks & Fields
Track: ‘Supernature’ Alain Wisniak, Lene Lovich, Marc Cerrone / Cerrone
Music Publishers: Kobalt Music, Freibank Music Publishing
Publisher Licensing Managers: Marcus Gums (Kobalt), Coco Kraft (Freibank)
Record Label: Because Music
Label Licensing Manager: Esther Dugowson
Agency: Mother London
Production Company: Academy Films
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Entrant: The Crystal Creative
Re-Record Arranger: Jordan Chini
Original Track: ‘Big Dawgs’ Hanumankind
Music Supervisors: Raphaella Lima + Michael Sherwood at EA
ECD: Tommy Phelan
EP: Chad North
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Entrant: The Music Lab
Re-Record Arranger: Jack Chown at The Music Lab
Original Track: ‘Sweet Caroline’ Neil Diamond
Music Supervisor: Dave Goulding at The Music Lab
Music Publisher: UMPG
Licensing Manager: Suzanne Carey
Agency: Bigtime Creative Shop
Production Company: RESET
Director: Guy Ritchie
