MUSIC+SOUND AWARDS - 2017

Composition

Sync

Sound/Audio Post Production

Production Music

Re-Record or Adaptation

Composition

Winner

Grey Goose Lumière

2017 //
Best Original Composition in Television Advertising

Entrant: Soundtree Music, London
Composers: Joel Hartman + Andrew Kingslow at Soundtree Music
Advertising Agency: BBDO New York
Executive Creative Director: Danilo Boer
Account Director: Heather Livengood
Production Company: Reset Content
Director: Johnny Green
Producer: BreeAnn Stuart
Executive Producers: Jeff Mc Dougall / Jen Beitler

Grey Goose Lumière

2017 //
Best Original Composition in Television Advertising

Entrant: Soundtree Music, London
Composers: Joel Hartman + Andrew Kingslow at Soundtree Music
Advertising Agency: BBDO New York
Executive Creative Director: Danilo Boer
Account Director: Heather Livengood
Production Company: Reset Content
Director: Johnny Green
Producer: BreeAnn Stuart
Executive Producers: Jeff Mc Dougall / Jen Beitler

Grey Goose Lumière

Best Original Composition in Television Advertising

Entrant: Soundtree Music, London
Composers: Joel Hartman + Andrew Kingslow at Soundtree Music
Advertising Agency: BBDO New York
Executive Creative Director: Danilo Boer
Account Director: Heather Livengood
Production Company: Reset Content
Director: Johnny Green
Producer: BreeAnn Stuart
Executive Producers: Jeff Mc Dougall / Jen Beitler

Finalists

Thomson Moments

Composer: Biggi Hilmars; Entrant: Imagem Creative Services

Volvo Hands

Composers: Oscar Garvin, Jonathan Goldstein; Entrant: GOLDSTEIN

Investec Private Banking More Than Data

Composer: Mad Planet; Entrant: Mad Planet

Marks And Spencer Christmas With Love From Mrs Claus

Composer: Rachel Portman; Entrant: Native Music Supervision

Pearl & Dean – Tumbleweed Trainer

Composer: Josh Wynter; Entrant: Felt Music

Samsung UHD ‘Another World’

Composer – Glenn Cunningham
Entrant – Song Zu

Old Spice ‘Truce’

Composer – Kerry Smith
Entrant – Marmoset

Finish ‘Dishes’

Composer – Alex Baranowski
Entrant – SIREN

Winner

Ciclope Festival

2017 //
Best Original Composition in Online, Viral + Ambient Advertising

Entrant: Resonate, London
Composer: Liam Paton at Resonate
Production Company: Friends Electric
Directors: Bjorn-Erik Ashim / Max Taylor
Producers: Dom Thomson-Talbot / Orlaith Turner
Executive Producer: Alex Webster

Ciclope Festival

2017 //
Best Original Composition in Online, Viral + Ambient Advertising

Entrant: Resonate, London
Composer: Liam Paton at Resonate
Production Company: Friends Electric
Directors: Bjorn-Erik Ashim / Max Taylor
Producers: Dom Thomson-Talbot / Orlaith Turner
Executive Producer: Alex Webster

Ciclope Festival

Best Original Composition in Online, Viral + Ambient Advertising

Entrant: Resonate, London
Composer: Liam Paton at Resonate
Production Company: Friends Electric
Directors: Bjorn-Erik Ashim / Max Taylor
Producers: Dom Thomson-Talbot / Orlaith Turner
Executive Producer: Alex Webster

Finalists

Ben & Jerrys One Sweet World

Composer: Ben Cocks; Entrant: Adelphoi Music

Sagami Originals Act Of Love

Composer: Mad Planet; Entrant: Mad Planet

Social Media Campaign – Make Mum Safer

Composer: Stuart Hancock; Entrant: Pin Sharp Music

Adidas – Paul Pogba Capsule Collection

Composer: Alexis Troy; Entrant: TRO Music

Maxon Versus

Composers: Liam Paton, Andrew Theakstone; Entrant: Resonate

Winner

The Passing (Yr Ymadawiad)

2017 //
Best Original Composition in a Feature Film Score

Entrant: Manners McDade
Composer: Jeremy Holland-Smith
Production Company: Severn Screen
Director: Gareth Bryn
Producers: Ed Talfan / Kate Crowther
Executive Producers: Gwawr Martha Lloyd / Hannah Thomas

The Passing (Yr Ymadawiad)

2017 //
Best Original Composition in a Feature Film Score

Entrant: Manners McDade
Composer: Jeremy Holland-Smith
Production Company: Severn Screen
Director: Gareth Bryn
Producers: Ed Talfan / Kate Crowther
Executive Producers: Gwawr Martha Lloyd / Hannah Thomas

The Passing (Yr Ymadawiad)

Best Original Composition in a Feature Film Score

Entrant: Manners McDade
Composer: Jeremy Holland-Smith
Production Company: Severn Screen
Director: Gareth Bryn
Producers: Ed Talfan / Kate Crowther
Executive Producers: Gwawr Martha Lloyd / Hannah Thomas

Finalists

I Am Bolt

Composer: Ian Arber; Entrant: Ian Arber

Chavela

Composer: Gil Talmi; Entrant: Gil Talmi at Konsonant Music

Crossing The Line

Composer: Rebecca Dale; Entrant: Decca Publishing

This Beautiful Fantastic

Composer: Anne Nikitin; Entrant: Anne Nikitin

Blood Orange

Composer: Walter Mair; Entrant: Metronome

Winner

Planet Earth II- Racer Snakes vs Iguanas

2017 //
Best Original Composition in a Television Programme Score

Entrant: The Bleeding Fingers Custom Music Shop, California
Composers: Hans Zimmer, Jacob Shea + Jasha Klebe

Planet Earth II- Racer Snakes vs Iguanas

2017 //
Best Original Composition in a Television Programme Score

Entrant: The Bleeding Fingers Custom Music Shop, California
Composers: Hans Zimmer, Jacob Shea + Jasha Klebe

Planet Earth II- Racer Snakes vs Iguanas

Best Original Composition in a Television Programme Score

Entrant: The Bleeding Fingers Custom Music Shop, California
Composers: Hans Zimmer, Jacob Shea + Jasha Klebe

Finalists

National Treasure

Composer: Cristobal Tapia De Veer; Entrant: Sony/ATV Music Publishing

Call The Midwife 6

Composer: Maurizio Malagnini; Entrant: Maurizio Malagnini at Dreamscore

Zone Blanche

Composers: Thomas Couzinier, Frédéric Kooshmanian; Entrant: SuperPitch

The Lie Detective

Composers: Bob Bradley, Matt Sanchez, Steve Dymond, Thomas Balmforth, Nick McEnally; Entrant: The Bleeding Fingers Custom Music Shop

Thunderbirds Are Go

Composer: Ben Foster + Nick Foster

Entrant: Ben Foster + Nick Foster

Winner

We’re Going On A Bear Hunt

2017 //
Best Original Composition in a Short Film

Entrant: Pin Sharp Music
Composer: Stuart Hancock
Production Company: Lupus Films
Directors: Joanna Harrison, Robin Shaw
Producers: Ruth Fielding, Camilla Deakin
Score performed by: City of London Sinfonia, London Youth Choir, conducted by Stuart Hancock
Distributor: Channel 4

We’re Going On A Bear Hunt

2017 //
Best Original Composition in a Short Film

Entrant: Pin Sharp Music
Composer: Stuart Hancock
Production Company: Lupus Films
Directors: Joanna Harrison, Robin Shaw
Producers: Ruth Fielding, Camilla Deakin
Score performed by: City of London Sinfonia, London Youth Choir, conducted by Stuart Hancock
Distributor: Channel 4

We’re Going On A Bear Hunt

Best Original Composition in a Short Film

Entrant: Pin Sharp Music
Composer: Stuart Hancock
Production Company: Lupus Films
Directors: Joanna Harrison, Robin Shaw
Producers: Ruth Fielding, Camilla Deakin
Score performed by: City of London Sinfonia, London Youth Choir, conducted by Stuart Hancock
Distributor: Channel 4

Finalists

La Femme Et Le TGV

Composers: Diego Baldenweg, Nora Baldenweg, Lionel Baldenweg; Entrant: GREAT GARBO Music

The White Helmets

Composer: Patrick Jonsson; Entrant: Patrick Jonsson at Air-Edel Associates

Roger Ballens Theatre Of Apparitions

Composer: John Webb; Entrant: John Webb at Pearly Oyster Productions

Winner

Wonder Woman Trailer

2017 //
Best Original Composition in Film Trailers / Promos

Entrant: Pusher, LLC, California
Composers: Jon Midwinter + Alistair Vickery at Pusher, LLC
Film Studio: Warner Bros.
Director: Matt Brubaker
Producer: Kelly Adelman
Editing House: Trailer Park
Editor: Adam Finkelstein

Wonder Woman Trailer

2017 //
Best Original Composition in Film Trailers / Promos

Entrant: Pusher, LLC, California
Composers: Jon Midwinter + Alistair Vickery at Pusher, LLC
Film Studio: Warner Bros.
Director: Matt Brubaker
Producer: Kelly Adelman
Editing House: Trailer Park
Editor: Adam Finkelstein

Wonder Woman Trailer

Best Original Composition in Film Trailers / Promos

Entrant: Pusher, LLC, California
Composers: Jon Midwinter + Alistair Vickery at Pusher, LLC
Film Studio: Warner Bros.
Director: Matt Brubaker
Producer: Kelly Adelman
Editing House: Trailer Park
Editor: Adam Finkelstein

Finalists

The Wondrous Journey Of Little Sophie

Composer: Wiebe Boorsma; Entrant: Wiebe Boorsma

Despite The Falling Snow

Composer: Peter Mauder; Entrant: SeeSound Studio

Winner

Sky Cinema Christmas Brand Promo

2017 //
Best Original Composition in TV Trailers / Promos

Entrant: SATV Publishing Ltd, London
Composers: Philip Jewson, Paul Cartledge (Yellow Boat Music) for SATV Music
Producer: Sue Hepworth
Advertising Agency: WCRS
TV Producers: Bradley Woodus, Joseph Pawsey
Account Manager: Richard Williams
Art Director: Josh Smith
Executive Creative Director: Simon Robinson
Marketing Manager: Sara Thomas (Sky)
Director: Noah Harris
Editing House: Stitch
Editor: Phil Currie
Post Production House: nighteentwenty

Sky Cinema Christmas Brand Promo

2017 //
Best Original Composition in TV Trailers / Promos

Entrant: SATV Publishing Ltd, London
Composers: Philip Jewson, Paul Cartledge (Yellow Boat Music) for SATV Music
Producer: Sue Hepworth
Advertising Agency: WCRS
TV Producers: Bradley Woodus, Joseph Pawsey
Account Manager: Richard Williams
Art Director: Josh Smith
Executive Creative Director: Simon Robinson
Marketing Manager: Sara Thomas (Sky)
Director: Noah Harris
Editing House: Stitch
Editor: Phil Currie
Post Production House: nighteentwenty

Sky Cinema Christmas Brand Promo

Best Original Composition in TV Trailers / Promos

Entrant: SATV Publishing Ltd, London
Composers: Philip Jewson, Paul Cartledge (Yellow Boat Music) for SATV Music
Producer: Sue Hepworth
Advertising Agency: WCRS
TV Producers: Bradley Woodus, Joseph Pawsey
Account Manager: Richard Williams
Art Director: Josh Smith
Executive Creative Director: Simon Robinson
Marketing Manager: Sara Thomas (Sky)
Director: Noah Harris
Editing House: Stitch
Editor: Phil Currie
Post Production House: nighteentwenty

Finalists

James Cordens Ode To The Rio Paralympics

Composer: Ian Arber; Entrant: Ian Arber

Moto GP – World Championship

Composer: Pusher, LLC; Entrant: Pusher, LLC

BBC Radio 3 The Speed Of Sound

Composer: Omar Tenani; Entrant: Movistar+

Easter On Sky Movies

Composers: Philip Jewson, Paul Cartledge (Yellowboat Music); Entrant: SATV Music

Winner

Dead Rising 4 – Black Friday Cinematic Trailer

2017 //
Best Original Composition in Gaming Trailers / Promos

Entrant: Oleksa Lozowchuk at Capcom Game Studio, Vancouver
Composition/Arrangement/Production: Oleksa Lozowchuk at Capcom Vancouver/Tendershoot
Vocals: Melissa R. Kaplan
Orchestra: The Remote Orchestra (Tbilisi, Georgia) Productions Inc.

Dead Rising 4 – Black Friday Cinematic Trailer

2017 //
Best Original Composition in Gaming Trailers / Promos

Entrant: Oleksa Lozowchuk at Capcom Game Studio, Vancouver
Composition/Arrangement/Production: Oleksa Lozowchuk at Capcom Vancouver/Tendershoot
Vocals: Melissa R. Kaplan
Orchestra: The Remote Orchestra (Tbilisi, Georgia) Productions Inc.

Dead Rising 4 – Black Friday Cinematic Trailer

Best Original Composition in Gaming Trailers / Promos

Entrant: Oleksa Lozowchuk at Capcom Game Studio, Vancouver
Composition/Arrangement/Production: Oleksa Lozowchuk at Capcom Vancouver/Tendershoot
Vocals: Melissa R. Kaplan
Orchestra: The Remote Orchestra (Tbilisi, Georgia) Productions Inc.

Finalists

Dawn Of Titans

Composer: Richard Jacques; Entrant: Richard Jacques

Dead Rising 4 – Black Friday Cinematic Trailer

Composer: Oleksa Lozowchuk; Entrant: Capcom Studio Vancouver

Total War: Warhammer

Composer: Walter Mair; Entrant: Walter Mair at Metronome

Watchdogs 2: Welcome To San Francisco

Composer: Konstantine Pope; Entrant: Feel For Music

Winner

#0 Idents

2016 //
Best Original Composition: Branding + Idents

Entrant: Ivan Llopis BANJO MUSIC + Omar Tenani MOVISTAR+, Madrid

Composer: Ivan Llopis at Banjo Music, ,

Producer: Anna Segura

Audio Director: Omar Tenani

Client: Telefonica

Movistar+ Art Director: Ricardo Fernandez

Executive Creative Director: Iñaki Martikorena

TV Producer: Raul Regueiro

Art Director: Ricardo Fernandez

Copywriter: Iñigo Ancizu

Production Company: The Kitchen Corp

Director: Pedro Diaz

Producer: Andres Talegon

Executive Producer: Alvaro Olalquiaga

#0 Idents

2016 //
Best Original Composition: Branding + Idents

Entrant: Ivan Llopis BANJO MUSIC + Omar Tenani MOVISTAR+, Madrid

Composer: Ivan Llopis at Banjo Music, ,

Producer: Anna Segura

Audio Director: Omar Tenani

Client: Telefonica

Movistar+ Art Director: Ricardo Fernandez

Executive Creative Director: Iñaki Martikorena

TV Producer: Raul Regueiro

Art Director: Ricardo Fernandez

Copywriter: Iñigo Ancizu

Production Company: The Kitchen Corp

Director: Pedro Diaz

Producer: Andres Talegon

Executive Producer: Alvaro Olalquiaga

#0 Idents

Best Original Composition: Branding + Idents

Entrant: Ivan Llopis BANJO MUSIC + Omar Tenani MOVISTAR+, Madrid

Composer: Ivan Llopis at Banjo Music, ,

Producer: Anna Segura

Audio Director: Omar Tenani

Client: Telefonica

Movistar+ Art Director: Ricardo Fernandez

Executive Creative Director: Iñaki Martikorena

TV Producer: Raul Regueiro

Art Director: Ricardo Fernandez

Copywriter: Iñigo Ancizu

Production Company: The Kitchen Corp

Director: Pedro Diaz

Producer: Andres Talegon

Executive Producer: Alvaro Olalquiaga

Finalists

La Femme Et Le TGV

Composers: Diego Baldenweg, Nora Baldenweg, Lionel Baldenweg; Entrant: GREAT GARBO Music

The White Helmets

Composer: Patrick Jonsson; Entrant: Patrick Jonsson at Air-Edel Associates

Roger Ballens Theatre Of Apparitions

Composer: John Webb; Entrant: John Webb at Pearly Oyster Productions

Winner

David Blaine: Beyond Magic – The Spectacle Of The Real

2017 //
Best Original Composition in Television Programme Titles

Entrant: Antfood
Composer: Wilson Brown at Antfood
Producers: Sean McGovern / Mercedes Aviles
Production Company: Buck
Director: Orion Tait
Producer: Kevin Hall

David Blaine: Beyond Magic – The Spectacle Of The Real

2017 //
Best Original Composition in Television Programme Titles

Entrant: Antfood
Composer: Wilson Brown at Antfood
Producers: Sean McGovern / Mercedes Aviles
Production Company: Buck
Director: Orion Tait
Producer: Kevin Hall

David Blaine: Beyond Magic – The Spectacle Of The Real

Best Original Composition in Television Programme Titles

Entrant: Antfood
Composer: Wilson Brown at Antfood
Producers: Sean McGovern / Mercedes Aviles
Production Company: Buck
Director: Orion Tait
Producer: Kevin Hall

Finalists

Snatch

Composers: Christian Lundberg, Bruce Fingers + Billie Ray Fingers

Entrant: The Bleeding Fingers Custom Music Shop

Journey Towards Hope

Composer: Johnny Yates

Entrant: Johnny Yates

Ninjago: Masters Of Spinjitzu – Day Of The Departed

Composer: Jeppe Riddervold, Daniel Castady + George Castady at JAM Music Company

Entrant: Jelly Animation Sound Studios

The Lie Detective

Composer: Bob Bradley, Matt Sanchez + Steve Dymond

Entrant: The Firm

Roman Empire

Composer: Andrew Christie, Bruce Fingers + Billie Ray Fingers

Entrant: The Bleeding Fingers Custom Music Shop

The Capture

Composers + Entrants: David Rowntree + Ian Arber

The Pale Horse

Composer + Entrant: Anne Nikitin

World on Fire

Composer + Entrant: Dan Jones

Sync

Winner

Heineken When You Drive, Never Drink

2017 //
The Hummingbird Music Award for Best Sync in Broadcast Advertising

Entrant: Sizzer Amsterdam, Amsterdam
Music Supervisors: Marcel Wiebenga + Ilana Goldstoff at Sizzer Amsterdam
Track: Scott Bradlee’s Postmodern Jukebox ft. Nicole Atkins version of David Bowie’s ‘Heroes’
Songwriters: David Bowie / Brian Eno
Advertising Agency: Publicis Milan

Heineken When You Drive, Never Drink

2017 //
The Hummingbird Music Award for Best Sync in Broadcast Advertising

Entrant: Sizzer Amsterdam, Amsterdam
Music Supervisors: Marcel Wiebenga + Ilana Goldstoff at Sizzer Amsterdam
Track: Scott Bradlee’s Postmodern Jukebox ft. Nicole Atkins version of David Bowie’s ‘Heroes’
Songwriters: David Bowie / Brian Eno
Advertising Agency: Publicis Milan

Heineken When You Drive, Never Drink

The Hummingbird Music Award for Best Sync in Broadcast Advertising

Entrant: Sizzer Amsterdam, Amsterdam
Music Supervisors: Marcel Wiebenga + Ilana Goldstoff at Sizzer Amsterdam
Track: Scott Bradlee’s Postmodern Jukebox ft. Nicole Atkins version of David Bowie’s ‘Heroes’
Songwriters: David Bowie / Brian Eno
Advertising Agency: Publicis Milan

Finalists

The Hospital For Sick Children – Sickkids vs Undeniable

Track: Undeniable feat. Richie Sosa
Artist: Donnie Daydream
Publisher: MUSICA Publishing
Label: Go-DIY Music
Entrant: MUSICA Publishing
Music Supervisors: Ayla Owen, Julz Baldwin, Karl Jawara at The Most Radicalist Black Sheep Music
Co-Entrants: The Most Radicalist Black Sheep Music + Rogue

Audi R8 Spin

Track: Windmills Of Your Mind
Artist: Dusty Springfield
Publisher: Sony ATV (EMI Music Publishing)
Label: Universal Music Operations
Entrant: Adelphoi Music
Music Supervisor: Jonathan Watts at Adelphoi Music

Smirnoff Were Open

Tracks: Tsege Tsege and Wololo (feat. Mampintsha)
Publisher: Afrotainment / West Ink Holdings

Intermarché Lamour Lamour Lamour

Artist: Marcel Mouloudji
Music Supervisors: Alexandre Rabia + Jerome Alquier
Publisher: Warner Chappell
Label: Sony Music

Winner

Lipton ‘School Bus’

2017 //
Best Sync in Online, Viral + Ambient Advertising

Entrant: Big Sync Music, London
Music Supervision: Big Sync Music
Track: Love is All
Artist: The Tallest Man on Earth
Composer: Kristian Saras Per Matsson
Music Publisher: Mute Song
Licensing Manager: Simon Ballard
Record Label: Dead Oceans
Advertising Agency: adam&eveDDB & Tribal Worldwide London
Client: Unilever
TV Producer: Patrick Cahill
Executive Creative Director: Simon Poett
Art Directors + Copywriters: James Hogwood / Guus ter Beek / Tayfun Sarier / Lee Kozlowski
Account Directors: Arpan Roychoudhury / Glen Lomas
Production Company: The Sweet Shop
Director: Mark Albiston
Producer: Andrew Mauger
Editor: Luke Haigh
Post Production House: Blockhead NZ
Post Production Producer: James Elvers

Lipton ‘School Bus’

2017 //
Best Sync in Online, Viral + Ambient Advertising

Entrant: Big Sync Music, London
Music Supervision: Big Sync Music
Track: Love is All
Artist: The Tallest Man on Earth
Composer: Kristian Saras Per Matsson
Music Publisher: Mute Song
Licensing Manager: Simon Ballard
Record Label: Dead Oceans
Advertising Agency: adam&eveDDB & Tribal Worldwide London
Client: Unilever
TV Producer: Patrick Cahill
Executive Creative Director: Simon Poett
Art Directors + Copywriters: James Hogwood / Guus ter Beek / Tayfun Sarier / Lee Kozlowski
Account Directors: Arpan Roychoudhury / Glen Lomas
Production Company: The Sweet Shop
Director: Mark Albiston
Producer: Andrew Mauger
Editor: Luke Haigh
Post Production House: Blockhead NZ
Post Production Producer: James Elvers

Lipton ‘School Bus’

Best Sync in Online, Viral + Ambient Advertising

Entrant: Big Sync Music, London
Music Supervision: Big Sync Music
Track: Love is All
Artist: The Tallest Man on Earth
Composer: Kristian Saras Per Matsson
Music Publisher: Mute Song
Licensing Manager: Simon Ballard
Record Label: Dead Oceans
Advertising Agency: adam&eveDDB & Tribal Worldwide London
Client: Unilever
TV Producer: Patrick Cahill
Executive Creative Director: Simon Poett
Art Directors + Copywriters: James Hogwood / Guus ter Beek / Tayfun Sarier / Lee Kozlowski
Account Directors: Arpan Roychoudhury / Glen Lomas
Production Company: The Sweet Shop
Director: Mark Albiston
Producer: Andrew Mauger
Editor: Luke Haigh
Post Production House: Blockhead NZ
Post Production Producer: James Elvers

Finalists

Cesar – Road Trip

Track: Young Blood
Artist: Birdy
Supervisors: Richard Ross – Rich Music Source / Warner Music UK Soundlounge
Publisher: Warner Music UK
Label: Atlantic Records

M2M – The Stepney Line Dancer

Track: Running From The Rain
Artist: Henson Cargill
Supervisors: Adam Bushell + Nick Nash at Tin Drum Music
Publisher: Carlin Music Corp
Label: A&G Sync

Fiat 500 – Forever Young

Track: Antenna
Artist: Bonobo
Supervisor: Native Music Supervision
Publisher: Just Isn’t Music
Label: Ninja Tune

Magnum – The Ceremony

Track: Is This Love
Artist: Corinne Bailey Rae
Supervisors: Jesper Gadeberg & Marc Morris
Publisher: Kobalt
Label: Universal Music Spain

Winner

High-Rise

2017 //
Best Sync in a Feature Film (Single Scene)

Entrant: Ian Neil
Music Supervisor: Ian Neil
Track: SOS
Artist: Portishead
Songwriters: Benny Andersson / Björn Ulvaeus / Stig Anderson
Music Publisher: Bocu Music
Record Label: Portishead

High-Rise

2017 //
Best Sync in a Feature Film (Single Scene)

Entrant: Ian Neil
Music Supervisor: Ian Neil
Track: SOS
Artist: Portishead
Songwriters: Benny Andersson / Björn Ulvaeus / Stig Anderson
Music Publisher: Bocu Music
Record Label: Portishead

High-Rise

Best Sync in a Feature Film (Single Scene)

Entrant: Ian Neil
Music Supervisor: Ian Neil
Track: SOS
Artist: Portishead
Songwriters: Benny Andersson / Björn Ulvaeus / Stig Anderson
Music Publisher: Bocu Music
Record Label: Portishead

Selma

2016 //
Best Sync: Feature Film (single Scene)

Entrant: Ninja Tune / Just Isn’t Music

Song: ‘Yesterday Was Hard on All of Us’

Artist: Fink

Selma

2016 //
Best Sync: Feature Film (single Scene)

Entrant: Ninja Tune / Just Isn’t Music

Song: ‘Yesterday Was Hard on All of Us’

Artist: Fink

Selma

Best Sync: Feature Film (single Scene)

Entrant: Ninja Tune / Just Isn’t Music

Song: ‘Yesterday Was Hard on All of Us’

Artist: Fink

Finalists

Mum’s List

Track: Grow
Artist: Frances
Supervisors: David Fish + Rupert Hollier at Metropolis Creative
Publishers: Universal Music Publishing / Kobalt / Copyright Control
Label: Capitol Records

City Of Tiny Lights

Track: Shedding Skin
Artist: Ghost Poet
Supervisor: Claire Freeman at Crown Talent & Media Group
Publisher: Universal Music Publishing
Label: Play It Again Sam

Home

Track: Adventure of a Lifetime
Artist: Coldplay
Supervisors: Ayla Owen, Julz Baldwin, Karl Jawara at The Most Radicalist / Black Sheep Music
Publisher: Universal Music Publishing / Sony/ATV
Label: Parlophone, Atlantic

Eddie The Eagle

Track: Bolero
Supervisor: Ian Neil

The Conjuring 2

Track: Can’t Help Falling in Love
Supervisor: Dana Sano
Publisher: Gladys Music

Stranger Things (S1, Ep 5)

2017 //
Best Sync in a Television Programme (Single Scene)

Music Supervisor: Nora Felder
Track: Elegia
Band: New Order
Songwriters: Peter Hook / Gillian Gilbert / Stephen Morris / Bernard Sumner
Publisher: Universal Music Publishing
Record Label: Factory Records / Warner Music
Production Companies: 21 Laps Entertainment / Monkey Massacre
Directors: Matt Duffer / Ross Duffer

Stranger Things (S1, Ep 5)

2017 //
Best Sync in a Television Programme (Single Scene)

Music Supervisor: Nora Felder
Track: Elegia
Band: New Order
Songwriters: Peter Hook / Gillian Gilbert / Stephen Morris / Bernard Sumner
Publisher: Universal Music Publishing
Record Label: Factory Records / Warner Music
Production Companies: 21 Laps Entertainment / Monkey Massacre
Directors: Matt Duffer / Ross Duffer

Stranger Things (S1, Ep 5)

Best Sync in a Television Programme (Single Scene)

Music Supervisor: Nora Felder
Track: Elegia
Band: New Order
Songwriters: Peter Hook / Gillian Gilbert / Stephen Morris / Bernard Sumner
Publisher: Universal Music Publishing
Record Label: Factory Records / Warner Music
Production Companies: 21 Laps Entertainment / Monkey Massacre
Directors: Matt Duffer / Ross Duffer

Finalists

Hollyoaks – No Exit

Track: Into The Wild
Composers: Lucas Vidal, Eivør
Supervisor: A&G Sync
Entrant: CHROMA Music

UEFA Champions League – Magazine Show (Napoli Fan)

Track: Opalescent
Artist: George Keane
Supervisor/Publisher: Universal Publishing Production Music
Entrant: Universal Publishing Production Music / IM

Winner

Manchester By The Sea Trailer

2017 //
Best Sync in Film Trailers + Promos

Entrant: Warner Music UK
Track: Trusty & True
Artist: Damien Rice
Music Supervisors: Warner Music UK
Record Label: Atlantic Records / Warner Music Group
Director: Kenneth Lonergan

Manchester By The Sea Trailer

2017 //
Best Sync in Film Trailers + Promos

Entrant: Warner Music UK
Track: Trusty & True
Artist: Damien Rice
Music Supervisors: Warner Music UK
Record Label: Atlantic Records / Warner Music Group
Director: Kenneth Lonergan

Manchester By The Sea Trailer

Best Sync in Film Trailers + Promos

Entrant: Warner Music UK
Track: Trusty & True
Artist: Damien Rice
Music Supervisors: Warner Music UK
Record Label: Atlantic Records / Warner Music Group
Director: Kenneth Lonergan

Finalists

The Handmaiden

Track: Red Sex
Artist: Vessel
Supervisor: Will Quiney
Publisher: Mute Song
Label: Tri Angle
Entrant: Mute Song

Uncle Howard

Track: Still Burning
Artist: Rowland Howard
Supervisor: Frederic Schindler at Too Young Music
Publisher: Mute Song
Label: The Rowland Howard Estate Trust
Entrant: Too Young Music

Rogue One: A Star Wars Story

Track: These Moments Dismantled
Artist: These Hidden Hands
Supervisor: AVS Music
Entrant: Pusher, LLC

Raw

Supervisor: Will Quiney / Vamanos Music
Publisher: Split Music
Entrant: Split Music

The Light Between Oceans

Track: In The Beginning
Artist: Sean Redmond
Supervisor: Connie Farr at ThinkSync Music
Publisher: Split Music
Entrant: Split Music

Prevenge

Track: Do What You Wanna Do
Artist: T-Connection
Supervisor: Jen Moss at Warner Music Supervision
Entrant: Warner Music UK

Winner

Fortitude – Series 2 Launch Promo (Sky Atlantic)

2017 //
Best Sync in TV Trailers + Promos

Entrant: Sky UK
Music Supervision: Sky Music
Track: Devil Town
Artist + Composer: Daniel Johnston
Music Publisher: Wixen Music
Record Label: Feraltone
Production Company: Sky UK
Director: John Grainge

Fortitude – Series 2 Launch Promo (Sky Atlantic)

2017 //
Best Sync in TV Trailers + Promos

Entrant: Sky UK
Music Supervision: Sky Music
Track: Devil Town
Artist + Composer: Daniel Johnston
Music Publisher: Wixen Music
Record Label: Feraltone
Production Company: Sky UK
Director: John Grainge

Fortitude – Series 2 Launch Promo (Sky Atlantic)

Best Sync in TV Trailers + Promos

Entrant: Sky UK
Music Supervision: Sky Music
Track: Devil Town
Artist + Composer: Daniel Johnston
Music Publisher: Wixen Music
Record Label: Feraltone
Production Company: Sky UK
Director: John Grainge

Finalists

Sky Italia – Summer Of Sport 16/17 (Ranieri)

Track: Coming Home
Artist: Sigma
Supervisor: Shiv Kalaria at Sky UK
Publisher: Universal Music Publishing
Label: Universal Music
Entrant: Sky Italia

BT Sport – European Champions Cup Rugby

Track: Ignition
Artist: Slinger
Supervisor: BT Sport Music
Publisher: BMG Rights Management (UK)
Label: Gemini Music Ltd
Entrant: BT Sport

Coming Of Ages Season (Film4)

Track: Light
Artist: ODESZA
Publisher: Just Isn’t Music
Label: Counter Records

Sky Sports Trailer With Nissan

Track: Ready for the Magic
Artist: Honeyblood
Publisher: Just Isn’t Music

Snatch – Season 1

Track: Rebel Sound
Artist: Cmd/Ctrl
Supervisor: Marcus Brooke-Smith at Theodore
Publisher: Bucks Music Group / Sony ATV
Label: Cooking Vinyl

Winner

Final Fantasy XV Trailer

2017 //
Best Sync in Gaming Trailers + Promos

Entrant: Feel For Music, London
Music Supervisors: Ben Sumner / Glenn Herweijer
Track: Stand By Me
Artist: Florence & The Machine
Composers: Jerry Leiber / Mike Stolle
Music Publisher: Sony ATV
Record Label: Universal

Final Fantasy XV Trailer

2017 //
Best Sync in Gaming Trailers + Promos

Entrant: Feel For Music, London
Music Supervisors: Ben Sumner / Glenn Herweijer
Track: Stand By Me
Artist: Florence & The Machine
Composers: Jerry Leiber / Mike Stolle
Music Publisher: Sony ATV
Record Label: Universal

Final Fantasy XV Trailer

Best Sync in Gaming Trailers + Promos

Entrant: Feel For Music, London
Music Supervisors: Ben Sumner / Glenn Herweijer
Track: Stand By Me
Artist: Florence & The Machine
Composers: Jerry Leiber / Mike Stolle
Music Publisher: Sony ATV
Record Label: Universal

Finalists

Metal Gear Survive

Track: Can’t Find My Way Home
Composers: Lucas Vidal / Eivør
Supervisor: BOND
Entrant: CHROMA Music

EA Sports UFC 2

Track: Big Bad Wolf
Artist: The Heavy
Publisher: Just Isn’t Music
Entrant: Just Isn’t Music

Sound/Audio Post Production

Winner

Save The Children Every Last Child

2017 //
Best Sound Design in Television Advertising

Entrant: Factory Studios, London
Sound Designer: Phil Bolland at Factory Studios
Sound Producer: Lou Allen
Advertising Agency: adam&eve DDB
Exec Creative Director: Ben Tollett & Richard Brim
Art Directors + Copywriters: Matt Gay & John Long
TV Producer: Matt Craigie-Atherton
Production Company: HLA
Director: Simon Ratigan
Producer: Mike Wells
Editing House: The Playroom
Editor: Adam Spivey
Post Production House: Finish
Post Production Operator: Vittorio Giannini

Save The Children Every Last Child

2017 //
Best Sound Design in Television Advertising

Entrant: Factory Studios, London
Sound Designer: Phil Bolland at Factory Studios
Sound Producer: Lou Allen
Advertising Agency: adam&eve DDB
Exec Creative Director: Ben Tollett & Richard Brim
Art Directors + Copywriters: Matt Gay & John Long
TV Producer: Matt Craigie-Atherton
Production Company: HLA
Director: Simon Ratigan
Producer: Mike Wells
Editing House: The Playroom
Editor: Adam Spivey
Post Production House: Finish
Post Production Operator: Vittorio Giannini

Save The Children Every Last Child

Best Sound Design in Television Advertising

Entrant: Factory Studios, London
Sound Designer: Phil Bolland at Factory Studios
Sound Producer: Lou Allen
Advertising Agency: adam&eve DDB
Exec Creative Director: Ben Tollett & Richard Brim
Art Directors + Copywriters: Matt Gay & John Long
TV Producer: Matt Craigie-Atherton
Production Company: HLA
Director: Simon Ratigan
Producer: Mike Wells
Editing House: The Playroom
Editor: Adam Spivey
Post Production House: Finish
Post Production Operator: Vittorio Giannini

Finalists

Du Man Sitting Next To You

Sound Designer: Parv Thind
Entrant: Wave Studios

Renault Sport: #enterthezone

Sound Designer: Sizzer Amsterdam
Entrant: Sizzer Amsterdam

Rio Paralympics 2016 – Were The Superhumans

Sound Designer: Anthony Moore
Entrant: Factory Studios

VW Alien

Sound Designer: Sam Ashwell
Entrant: 750mph

Honda The Evolution Of Stunts

Sound Designer: Paul Sumpter
Entrant: The Futz Butler London

Winner

Save The Children Still The Most Shocking Second A Day

2017 //
Best Audio Mix in a Commercial

Entrant: Factory Studios, London
Sound Mixer: Jon Clarke at Factory Studios
Sound Producer: Becs Bell
Agency: Don’t Panic
Exec Creative Director: Richard Beer
Production Company: Stink
Director: Tom Green
Producer: Paz Parasmand
Editing House: The Whitehouse
Editor: James Forbes-Robertson

Save The Children Still The Most Shocking Second A Day

2017 //
Best Audio Mix in a Commercial

Entrant: Factory Studios, London
Sound Mixer: Jon Clarke at Factory Studios
Sound Producer: Becs Bell
Agency: Don’t Panic
Exec Creative Director: Richard Beer
Production Company: Stink
Director: Tom Green
Producer: Paz Parasmand
Editing House: The Whitehouse
Editor: James Forbes-Robertson

Save The Children Still The Most Shocking Second A Day

Best Audio Mix in a Commercial

Entrant: Factory Studios, London
Sound Mixer: Jon Clarke at Factory Studios
Sound Producer: Becs Bell
Agency: Don’t Panic
Exec Creative Director: Richard Beer
Production Company: Stink
Director: Tom Green
Producer: Paz Parasmand
Editing House: The Whitehouse
Editor: James Forbes-Robertson

Finalists

National Autistic Society – Can You Handle The Rejection

Sound Designer: Patch Rowland
Entrant: Final Cut Sound

Seat A Car Race Set Free

Sound Designer: Will Cohen
Entrant: String and Tins

Konzerthausorchester Berlin – #klangberlins

Sound Designers: Michael Edwards+, Christian Tschuggnall
Entrant: Sam Robson

End Youth Homelessness – Get Them To A Safe Place

Sound Designer: Jon Clarke + Anthony Moore
Entrant: Factory Studios

Temptations – Keep Them Busy

Sound Designers: Michael Edwards+, Christian Tschuggnall
Entrant: 750mph

Winner

Super Dark Times

2017 //
The Wave Studios Award for Best Sound Design in a Feature Film

Entrant: Colin Alexander at Wild Choir, New York
Sound Designer: Colin Alexander at Wild Choir
Production Companies: Neighborhood Watch, Ways & Means, Higher Content, Lila 9th Productions, Om Films
Director: Kevin Phillips
Producers: Edward Parks, Richard Peete + Jett Steiger
Executive Producers: Niraj Bhatia, Dan Burks, William Hall, Cameron Lamb, Ben Collins, Luke Piotrowski
Editor: Ed Yonaitis

Super Dark Times

2017 //
The Wave Studios Award for Best Sound Design in a Feature Film

Entrant: Colin Alexander at Wild Choir, New York
Sound Designer: Colin Alexander at Wild Choir
Production Companies: Neighborhood Watch, Ways & Means, Higher Content, Lila 9th Productions, Om Films
Director: Kevin Phillips
Producers: Edward Parks, Richard Peete + Jett Steiger
Executive Producers: Niraj Bhatia, Dan Burks, William Hall, Cameron Lamb, Ben Collins, Luke Piotrowski
Editor: Ed Yonaitis

Super Dark Times

The Wave Studios Award for Best Sound Design in a Feature Film

Entrant: Colin Alexander at Wild Choir, New York
Sound Designer: Colin Alexander at Wild Choir
Production Companies: Neighborhood Watch, Ways & Means, Higher Content, Lila 9th Productions, Om Films
Director: Kevin Phillips
Producers: Edward Parks, Richard Peete + Jett Steiger
Executive Producers: Niraj Bhatia, Dan Burks, William Hall, Cameron Lamb, Ben Collins, Luke Piotrowski
Editor: Ed Yonaitis

Finalists

Before The Flood

Sound Designer: Dave Patterson
Entrant: Dave Patterson

Elle

Sound Designer: Alexis Place

Entrant: INSONIC

Winner

Home

2017 //
Best Sound Design in a Short Film

Entrant: Factory Studios, London
Sound Designers: Jon Clarke at Factory Studios
Sound Producer: Lisette Nice
Director: Daniel Mulloy
Producers: Shpat Deda, Scott O’Donnell, Tim Nash, Chris Watling + Afolabi Kuti
Executive Producers: Anthony Austin, Davud Karbassioun + Sally Campbell
Editing House: Homespun
Editors: Philip Currie, Elena de Palma, Richard Woolway + Will Beadon
Post Production House: The Mill
Post Production Operators: Nina Mosand / Ed Poulson / Oisin O’Driscoll
Post Production Producer: Carl Phillips

Home

2017 //
Best Sound Design in a Short Film

Entrant: Factory Studios, London
Sound Designers: Jon Clarke at Factory Studios
Sound Producer: Lisette Nice
Director: Daniel Mulloy
Producers: Shpat Deda, Scott O’Donnell, Tim Nash, Chris Watling + Afolabi Kuti
Executive Producers: Anthony Austin, Davud Karbassioun + Sally Campbell
Editing House: Homespun
Editors: Philip Currie, Elena de Palma, Richard Woolway + Will Beadon
Post Production House: The Mill
Post Production Operators: Nina Mosand / Ed Poulson / Oisin O’Driscoll
Post Production Producer: Carl Phillips

Home

Best Sound Design in a Short Film

Entrant: Factory Studios, London
Sound Designers: Jon Clarke at Factory Studios
Sound Producer: Lisette Nice
Director: Daniel Mulloy
Producers: Shpat Deda, Scott O’Donnell, Tim Nash, Chris Watling + Afolabi Kuti
Executive Producers: Anthony Austin, Davud Karbassioun + Sally Campbell
Editing House: Homespun
Editors: Philip Currie, Elena de Palma, Richard Woolway + Will Beadon
Post Production House: The Mill
Post Production Operators: Nina Mosand / Ed Poulson / Oisin O’Driscoll
Post Production Producer: Carl Phillips

Finalists

Sprint King

Sound Designer: Ben Gulvin
Entrant: 750mph

Omar

Sound Designer: Enos Desjardins
Entrant: Enos Desjardins

Julius Caesar Act II Scene 1

Sound Designer: Neil Johnson
Entrant: Factory Studios

Yellow

Sound Designer: Stephen Fletcher Dewey
Entrant: Machine Head

The Book Of Judith

Sound Designers: Javier Weyler + Francisco Tellería
Entrant: Javier Weyler

Winner

Lego Star Wars: The Freemaker Adventures

2017 //
Best Sound Design in a TV Programme

Entrant: Jelly Animation Sound Studios, Copenhagen
Sound Designers: Stefan Leissner + Troels Jørgensen at Jelly Animation Sound Studios
Foley artist: Rune Holberg
Foley editor: Tobias Hellkvist
Re-recording mixers: Reda El-Kheloufi / Kåre Kabel Mai

Lego Star Wars: The Freemaker Adventures

2017 //
Best Sound Design in a TV Programme

Entrant: Jelly Animation Sound Studios, Copenhagen
Sound Designers: Stefan Leissner + Troels Jørgensen at Jelly Animation Sound Studios
Foley artist: Rune Holberg
Foley editor: Tobias Hellkvist
Re-recording mixers: Reda El-Kheloufi / Kåre Kabel Mai

Lego Star Wars: The Freemaker Adventures

Best Sound Design in a TV Programme

Entrant: Jelly Animation Sound Studios, Copenhagen
Sound Designers: Stefan Leissner + Troels Jørgensen at Jelly Animation Sound Studios
Foley artist: Rune Holberg
Foley editor: Tobias Hellkvist
Re-recording mixers: Reda El-Kheloufi / Kåre Kabel Mai

Finalists

Mickey And The Roadster Racers: Ye Olde Royal Heist/tea Time Trouble

Sound Designers: Kate Finan, Brad Meyer, Jacob Cook

One Of Us

Foley editor: Tobias Hellkvist; Re-recording mixers: Reda El-Kheloufi, Kåre Kabel Mai; Dialogue Editor: Tom Williams; SFX Editor: Darren Banks

Cold Feet

Re-Recording Mixer: Nigel Heath, Assistant Mixer: Brad Rees; Sound Supervisor: Nigel Heath

Thunderbirds Are Go

Re-Recording Mixer: Alexander Fielding; Foley Engineer: Ciaran Smith; Foley Editor: Stuart Bagshaw; ADR Mixer: Ollie Brierley; Dialogue Editor: Tom Williams; SFX Editor: Alex Gibson

The Witness For The Prosecution

Dialogue Editor: Tom Williams; SFX Editor: Simon Gurshon; Re-Recording Mixer: Nigel Heath, Assistant Mixer: Brad Rees; Sound Supervisor: Nigel Heath; Foley Engineer: Simon Trundle

Winner

E4 Aliens Butter

2017 //
Best Sound Design In Radio Advertising

Entrant: Arge at Envy Advertising, London
Sound Designer: Arge at Envy Advertising
Sound Facility: Envy Advertising
Sound Producer: Peter Winslett
Production Company: E4
Directors: Richard Biggs / Jolyon White
Producer: Rory Maclean

E4 Aliens Butter

2017 //
Best Sound Design In Radio Advertising

Entrant: Arge at Envy Advertising, London
Sound Designer: Arge at Envy Advertising
Sound Facility: Envy Advertising
Sound Producer: Peter Winslett
Production Company: E4
Directors: Richard Biggs / Jolyon White
Producer: Rory Maclean

E4 Aliens Butter

Best Sound Design In Radio Advertising

Entrant: Arge at Envy Advertising, London
Sound Designer: Arge at Envy Advertising
Sound Facility: Envy Advertising
Sound Producer: Peter Winslett
Production Company: E4
Directors: Richard Biggs / Jolyon White
Producer: Rory Maclean

Finalists

S7 – The Best Planet Diving Amsterdam

Sound Designer: Randall W Macdonald

S7 – The Best Planet Jungle Amsterdam

Sound Designer: Randall W Macdonald

IMI – School Of Creative Arts Audio

Entrant: Fuse Adventures In Audio

Harvey Nichols – Gatecrasher

Sound Designers: Sam Ashwell, Andy Humphreys, Jeff Smith; Entrant: 750mph

Harvey Nichols – Wardrobe

Sound Designers: Sam Ashwell, Andy Humphreys, Jeff Smith; Entrant: 750mph

BMW 3 Series

Entrant: Envy Advertising

Winner

Save The Children Still The Most Shocking Second A Day

2017 //
Best Audio Mix in a Commercial

Entrant: Factory Studios, London
Sound Mixer: Jon Clarke at Factory Studios
Sound Producer: Becs Bell
Agency: Don’t Panic
Exec Creative Director: Richard Beer
Production Company: Stink
Director: Tom Green
Producer: Paz Parasmand
Editing House: The Whitehouse
Editor: James Forbes-Robertson

Save The Children Still The Most Shocking Second A Day

2017 //
Best Audio Mix in a Commercial

Entrant: Factory Studios, London
Sound Mixer: Jon Clarke at Factory Studios
Sound Producer: Becs Bell
Agency: Don’t Panic
Exec Creative Director: Richard Beer
Production Company: Stink
Director: Tom Green
Producer: Paz Parasmand
Editing House: The Whitehouse
Editor: James Forbes-Robertson

Save The Children Still The Most Shocking Second A Day

Best Audio Mix in a Commercial

Entrant: Factory Studios, London
Sound Mixer: Jon Clarke at Factory Studios
Sound Producer: Becs Bell
Agency: Don’t Panic
Exec Creative Director: Richard Beer
Production Company: Stink
Director: Tom Green
Producer: Paz Parasmand
Editing House: The Whitehouse
Editor: James Forbes-Robertson

Finalists

Virgin Media 9.58 Seconds

Sound Designer: Anthony Maare; Entrant: Factory Studios

Under Armour Numbers / It Comes From Below

Sound Designer: Anthony Moore at Factory + Sean Craigie-Atherton at SIREN; Entrant: Factory Studios

Puma – Play Loud

Entrant: Wave Studios

Rio Paralympics 2016 Were The Superhumans

Sound Designer: Jon Clarke; Entrant: Factory Studios

DU Man Sitting Next To You

Sound Designer: Parv Thind

Entrant: Wave Studios

Winner

History Channel H Global Rebrand

2017 //
Best Sound Design in Branding + Idents

Entrant: Zelig Sound, London
Sound Designer: Matthew Wilcock at Zelig Sound
Production Company: Dixon Baxi

History Channel H Global Rebrand

2017 //
Best Sound Design in Branding + Idents

Entrant: Zelig Sound, London
Sound Designer: Matthew Wilcock at Zelig Sound
Production Company: Dixon Baxi

History Channel H Global Rebrand

Best Sound Design in Branding + Idents

Entrant: Zelig Sound, London
Sound Designer: Matthew Wilcock at Zelig Sound
Production Company: Dixon Baxi

Finalists

Jaguar – I-Pace Concept

Sound Designer: Mark Hellaby; Entrant: 750mph

Honda Film On Four- Modern Home

Entrant: Movistar+ Re-Brand

Sky Cinema Disney

Sound Designers: Mark Hellaby, Sam Ashwell

The Horror Channel – Frightfest 2016

Sound Designers: Ivan Llopis, Silvia Torrico, Omar Tenani at Banjo Music; Entrant: Movistar+

Winner

Far Cry Primal Trailer

2017 //
Best Sound Design in Trailers + Promos

Entrant: Kouz Production, Paris
Sound Design: Kouz Production
Advertising Agency: BETC Paris
Executive Creative Director: Stephane Xiberras
Production Company: Wanda
Director: Ivan Grbovic

Far Cry Primal Trailer

2017 //
Best Sound Design in Trailers + Promos

Entrant: Kouz Production, Paris
Sound Design: Kouz Production
Advertising Agency: BETC Paris
Executive Creative Director: Stephane Xiberras
Production Company: Wanda
Director: Ivan Grbovic

Far Cry Primal Trailer

Best Sound Design in Trailers + Promos

Entrant: Kouz Production, Paris
Sound Design: Kouz Production
Advertising Agency: BETC Paris
Executive Creative Director: Stephane Xiberras
Production Company: Wanda
Director: Ivan Grbovic

Finalists

BBC Olympics Rio 2016

Sound Designer: Chris Turner; Entrant: Jungle Studios

Action At Movistar+

Sound Designer: Sergio Chacon at Movistar+, Audio Director: Omar Tenani

ITV Eubank Box Office

Sound Designer: Joe Wilkinson; Entrant: Movistar+

BBC Radio 3 Rain

Sound Designer: Alex Bingham; Entrant: String and Tins

ITV Emmerdale

Entrant: Envy Advertising

Production Music

Winner

Sainsbury’s Food Dancing (Yum Yum Yum)

2017 //
The Universal Production Music Award for Best Use of Production Music in Broadcast Advertising

Entrant: EMI Production Music, London
Composers: Alan Hawkshaw + Keith Mansfield
Music Publisher: EMI Production Music
Music Supervision Company: Wake The Town
Artist: MysDiggi x Sainsbury’s

Sainsbury’s Food Dancing (Yum Yum Yum)

2017 //
The Universal Production Music Award for Best Use of Production Music in Broadcast Advertising

Entrant: EMI Production Music, London
Composers: Alan Hawkshaw + Keith Mansfield
Music Publisher: EMI Production Music
Music Supervision Company: Wake The Town
Artist: MysDiggi x Sainsbury’s

Sainsbury’s Food Dancing (Yum Yum Yum)

The Universal Production Music Award for Best Use of Production Music in Broadcast Advertising

Entrant: EMI Production Music, London
Composers: Alan Hawkshaw + Keith Mansfield
Music Publisher: EMI Production Music
Music Supervision Company: Wake The Town
Artist: MysDiggi x Sainsbury’s

Finalists

Sky Movies Biggest Premieres

Composers: Gez Dewar & Thomas J Indge at Revolution Music
Publisher: SATV Music
Entrant: Gez Dewar & Thomas J Indge at Revolution Music

Knorr Flavour For All

Music Supervisor: Sue Hepworth
Entrant: The Firm

IKEA #wonderfuleveryday

Composers: Bob Bradley, Matt Sanchez, Steve Dymond, Rosie Doonan
Publisher: Audio Network
Entrant: Focus Music

OVO Energy Smart Energy / Sainsbury’s Food Dancing

Composers: Mark Scholl + Robert J Walsh
Entrant: Robert J Walsh, Ron Dante, Ted Perlman

Winner

Sony Turtle Cam

2017 //
Best Use of Production Music in Online, Viral + Ambient Advertising

Entrant: MOST___original soundtracks, Amsterdam
Composer: Émile Waldteufel
Music Supervisors: Diederik Idenburg + Ivo Witteveen
Track Title: The Skaters Waltz, Op. 183 (Les patineurs)
Artists: Wiener Volksopernorchester + Franz Bauer-Theussl
Record Label: De Wolfe Music Library / De Wolfe RPO Classical Library
Label Licensing Manager: Marc van der Haas – Sony ATV
Agency: Mori Inc.
Executive Creative Director: Morihiro Harano
Production Company: Hornet / Stink Digital
Directors: Lernert & Sander
Producer: Cathy Kwan
Executive Producers: Hana Shimizu + Zack Kortright
Editing House: Ambassadors
Editor: Oscar Marmelstein
Post Production House: Hornet / Stink Digital
Post Operators: Stephanie Andreou / Benjamin Hughes
Post Producers: Heather Semer / Luciana Alamo / Erica Kung

Sony Turtle Cam

2017 //
Best Use of Production Music in Online, Viral + Ambient Advertising

Entrant: MOST___original soundtracks, Amsterdam
Composer: Émile Waldteufel
Music Supervisors: Diederik Idenburg + Ivo Witteveen
Track Title: The Skaters Waltz, Op. 183 (Les patineurs)
Artists: Wiener Volksopernorchester + Franz Bauer-Theussl
Record Label: De Wolfe Music Library / De Wolfe RPO Classical Library
Label Licensing Manager: Marc van der Haas – Sony ATV
Agency: Mori Inc.
Executive Creative Director: Morihiro Harano
Production Company: Hornet / Stink Digital
Directors: Lernert & Sander
Producer: Cathy Kwan
Executive Producers: Hana Shimizu + Zack Kortright
Editing House: Ambassadors
Editor: Oscar Marmelstein
Post Production House: Hornet / Stink Digital
Post Operators: Stephanie Andreou / Benjamin Hughes
Post Producers: Heather Semer / Luciana Alamo / Erica Kung

Sony Turtle Cam

Best Use of Production Music in Online, Viral + Ambient Advertising

Entrant: MOST___original soundtracks, Amsterdam
Composer: Émile Waldteufel
Music Supervisors: Diederik Idenburg + Ivo Witteveen
Track Title: The Skaters Waltz, Op. 183 (Les patineurs)
Artists: Wiener Volksopernorchester + Franz Bauer-Theussl
Record Label: De Wolfe Music Library / De Wolfe RPO Classical Library
Label Licensing Manager: Marc van der Haas – Sony ATV
Agency: Mori Inc.
Executive Creative Director: Morihiro Harano
Production Company: Hornet / Stink Digital
Directors: Lernert & Sander
Producer: Cathy Kwan
Executive Producers: Hana Shimizu + Zack Kortright
Editing House: Ambassadors
Editor: Oscar Marmelstein
Post Production House: Hornet / Stink Digital
Post Operators: Stephanie Andreou / Benjamin Hughes
Post Producers: Heather Semer / Luciana Alamo / Erica Kung

Mulberry Miracle Of Mulberry

2016 //
Best Use Of Production Music: Online, Viral + Ambient Advertising

Entrant: Focus Music

Composers: Adam Saunders + Mark Cousins

Library: Focus Music

Agency: adam&eveDBB

Mulberry Miracle Of Mulberry

2016 //
Best Use Of Production Music: Online, Viral + Ambient Advertising

Entrant: Focus Music

Composers: Adam Saunders + Mark Cousins

Library: Focus Music

Agency: adam&eveDBB

Mulberry Miracle Of Mulberry

Best Use Of Production Music: Online, Viral + Ambient Advertising

Entrant: Focus Music

Composers: Adam Saunders + Mark Cousins

Library: Focus Music

Agency: adam&eveDBB

Finalists

Huawei P9 Umbrella

Composers: Ben Cocks + Chris White
Publisher: Paris Music (UniPPM)
Music Supervisor: Aneta Kabsa
Entrant: CORD Poland

The Hunger Games: Mockingjay Part 2 – The Phenomenon

Publisher: CHROMA Music
Producer & Music Supervisor: Chris Ramsdell
Entrant: CHROMA Music

Lexus Takumi Cats

Composers: Andrew James Barnabas + Paul Arnold
Entrant: Native Music Supervision

Delorean

Composers: Andrew Peter Kingslow + Laura Sara Dowling
Entrant: EMI Production Music

Winner

Queen Of Spades

2017 //
Best Use of Production Music in Film Trailers + Promos

Entrant: Extreme Music, London
Track Title: The Madding Crowd (00:32 – 01:01)

Queen Of Spades

2017 //
Best Use of Production Music in Film Trailers + Promos

Entrant: Extreme Music, London
Track Title: The Madding Crowd (00:32 – 01:01)

Queen Of Spades

Best Use of Production Music in Film Trailers + Promos

Entrant: Extreme Music, London
Track Title: The Madding Crowd (00:32 – 01:01)

Finalists

Elle

Sound Designer: Alexis Place
Entrant: INSONIC

Being Charlie

Tracks: ‘Evil Ways’ – Blues Saraceno, ‘Turn Around’ – Simon Steadman
Publisher: Extreme Music
Entrant: Extreme Music

Collateral Beauty

Composer: Thomas Bergersen
Publisher: Extreme Music
Entrant: Extreme Music

Replace

Composer: Not specified
Publisher: Extreme Music
Entrant: Extreme Music

Maauvaise Graine

Composer: Not specified
Publisher: Extreme Music
Entrant: Extreme Music

Winner

Blaze Channel Launch

2017 //
Best Use Of Production Music – TV Trailers + Promos

Entrant: SATV Publishing, London
Production / Supervisor Company: SATV Music
Music Publisher: SATV Publishing
Music Supervisor: Jamie Logan
Composer + Artist: Charlie Harper
Track Title: 5,4,3,2,1
Executive Creative Director: Kenny Reynolds
Production Company: AETN UK
Producer: Shane O’Neill
Executive Producer: Kevin Rixon

Blaze Channel Launch

2017 //
Best Use Of Production Music – TV Trailers + Promos

Entrant: SATV Publishing, London
Production / Supervisor Company: SATV Music
Music Publisher: SATV Publishing
Music Supervisor: Jamie Logan
Composer + Artist: Charlie Harper
Track Title: 5,4,3,2,1
Executive Creative Director: Kenny Reynolds
Production Company: AETN UK
Producer: Shane O’Neill
Executive Producer: Kevin Rixon

Blaze Channel Launch

Best Use Of Production Music – TV Trailers + Promos

Entrant: SATV Publishing, London
Production / Supervisor Company: SATV Music
Music Publisher: SATV Publishing
Music Supervisor: Jamie Logan
Composer + Artist: Charlie Harper
Track Title: 5,4,3,2,1
Executive Creative Director: Kenny Reynolds
Production Company: AETN UK
Producer: Shane O’Neill
Executive Producer: Kevin Rixon

Finalists

Atlanta

Entrant: Extreme Music
Track: Who Needs Me
Composer: 21

Taboo

Composer: Jonathan Mayer
Publisher: Extreme Music
Entrant: Extreme Music

Sky Cinema Oscars

Composers: Benjamin McAvoy + Samuel McAvoy
Publisher: SATV Publishing Ltd
Entrant: SATV Publishing Ltd

The Night Manager

Composers: R. Simeon Bowring + Ben Hayden
Publisher: Gargantuan Music
Entrant: Gargantuan Music

FX Networks 2016

Composer: Not specified
Entrant: SuperPitch

Born To Kill

Composer: William Riddims
Entrant: George Keane at Universal Publishing Production Music

The Walking Dead (Series 7)

Composer: Blues Saraceno
Publisher: Extreme Music
Entrant: Extreme Music

Re-Record or Adaptation

Winner

Playstation The King

2017 //
Best Re-Record or Adaptation in Broadcast Advertising

Entrant: Woodwork Music, London
Arranger: Philip Kay at Woodwork Music
Producer: Andrew Oskwarek at Woodwork Music
Track: Sweet Dreams
Originally written by: Eurythmics
Music Publisher: Universal
Agency: BBH New York
Account Director: Justin Marciani
Marketing Manager (PlayStation): Eric Lachter
Production Company: Epoch Films
Director: Martin de Thurah
Producer: Anura Idupuganti
Editing House: Rock Paper Scissors
Editor: Mikkel EG Nielsen

Playstation The King

2017 //
Best Re-Record or Adaptation in Broadcast Advertising

Entrant: Woodwork Music, London
Arranger: Philip Kay at Woodwork Music
Producer: Andrew Oskwarek at Woodwork Music
Track: Sweet Dreams
Originally written by: Eurythmics
Music Publisher: Universal
Agency: BBH New York
Account Director: Justin Marciani
Marketing Manager (PlayStation): Eric Lachter
Production Company: Epoch Films
Director: Martin de Thurah
Producer: Anura Idupuganti
Editing House: Rock Paper Scissors
Editor: Mikkel EG Nielsen

Playstation The King

Best Re-Record or Adaptation in Broadcast Advertising

Entrant: Woodwork Music, London
Arranger: Philip Kay at Woodwork Music
Producer: Andrew Oskwarek at Woodwork Music
Track: Sweet Dreams
Originally written by: Eurythmics
Music Publisher: Universal
Agency: BBH New York
Account Director: Justin Marciani
Marketing Manager (PlayStation): Eric Lachter
Production Company: Epoch Films
Director: Martin de Thurah
Producer: Anura Idupuganti
Editing House: Rock Paper Scissors
Editor: Mikkel EG Nielsen

Finalists

VW- Car Karaoke – I Believe In A Thing Called Love

Arranger: Ronald Crocker
Entrant: 750mph & Ronald Crocker

Heinz Sauces – Add A Little Magic – The Magic Song

Entrant: Eclectic Music

Paddy Power – Coach Driver – Whats Up?

Arranger: Ashley Bates

Paddy Power – Steward – Total Eclipse Of The Heart

Arranger: Adelphoi Music
Entrant: Adelphoi Music

Puma – #choosetricks – Walk The Walk

Arranger: Stephen Patman
Entrant: Bucks Music Group

Winner

A Song To Star Trek

2017 //
Best Re-Record or Adaptation in Online, Viral, Ambient Advertising

Entrant: Ithaca Audio, London
Arranger + Producer: Ithaca Audio
Track: Lovin You
Originally written by: Minnie Riperton
Client: Syfy UK / NBC Universal
Executive Creative Director: Joe Lee
Marketing Manager (NBC Universal): Tom Botting

A Song To Star Trek

2017 //
Best Re-Record or Adaptation in Online, Viral, Ambient Advertising

Entrant: Ithaca Audio, London
Arranger + Producer: Ithaca Audio
Track: Lovin You
Originally written by: Minnie Riperton
Client: Syfy UK / NBC Universal
Executive Creative Director: Joe Lee
Marketing Manager (NBC Universal): Tom Botting

A Song To Star Trek

Best Re-Record or Adaptation in Online, Viral, Ambient Advertising

Entrant: Ithaca Audio, London
Arranger + Producer: Ithaca Audio
Track: Lovin You
Originally written by: Minnie Riperton
Client: Syfy UK / NBC Universal
Executive Creative Director: Joe Lee
Marketing Manager (NBC Universal): Tom Botting

Finalists

Dove – Love Your Hair – Express Yourself

Arranger: Colin Beckett
Entrant: Overcoast: Music+ Sound

Shell Oil – #makethefuture – Best Day Of My Life

Artist: Steve Aoki

Otto – Zeitgeschenke (Gift Of Time) – Time After Time

Entrant: HSBC – The Game the Ball Wants to Play (likely associated), Music Supervisor: Sean Redmond

Prada Parfums – Masterbrand – Can’t Help Falling In Love

Arrangers: Mike Austen & Dan Corbin
Music Supervisor: Frederic Schindler

HSBC – The Game The Ball Wants To Play

Arranger: Mike Austen + Dan Corbin

Entrant: Wave Music

San Pellegrino Fruit Beverages ‘The Life Delizi’

Arranger – David Morris / A&G Sync
Entrant – A&G Sync

Lipton T.O. ‘The Revolution In Tea’

Arranger – Dom Howard
Entrant – Big Sync Music

San Francisco Museum of Modern Art ‘Anthem’

Entrant – Marmoset Music

Winner

C4 Paralympic 2016 – We’re The Superhumans

2017 //
Best Re-Record or Adaptation in TV Trailers + Promos

Entrant: Guy Farley, London
Arranger: Guy Farley
Producer: Warner Chappell
Track: Yes I Can
Originally Written by: Charles Strouse / Lee Adams
Music Production Company: Leland Music
Music Supervisor: Ed Baillie at Leland Music
Record Label: Universal Music
Agency: 4Creative
Account Director: Shananne Lane
Executive Creative Directors: Chris Bovill / John Allison
Production Company: Blink
Director: Dougal Wilson
Producers: Alice Tonge / Dougal Wilson / Jolyon White / Richard Biggs

C4 Paralympic 2016 – We’re The Superhumans

2017 //
Best Re-Record or Adaptation in TV Trailers + Promos

Entrant: Guy Farley, London
Arranger: Guy Farley
Producer: Warner Chappell
Track: Yes I Can
Originally Written by: Charles Strouse / Lee Adams
Music Production Company: Leland Music
Music Supervisor: Ed Baillie at Leland Music
Record Label: Universal Music
Agency: 4Creative
Account Director: Shananne Lane
Executive Creative Directors: Chris Bovill / John Allison
Production Company: Blink
Director: Dougal Wilson
Producers: Alice Tonge / Dougal Wilson / Jolyon White / Richard Biggs

C4 Paralympic 2016 – We’re The Superhumans

Best Re-Record or Adaptation in TV Trailers + Promos

Entrant: Guy Farley, London
Arranger: Guy Farley
Producer: Warner Chappell
Track: Yes I Can
Originally Written by: Charles Strouse / Lee Adams
Music Production Company: Leland Music
Music Supervisor: Ed Baillie at Leland Music
Record Label: Universal Music
Agency: 4Creative
Account Director: Shananne Lane
Executive Creative Directors: Chris Bovill / John Allison
Production Company: Blink
Director: Dougal Wilson
Producers: Alice Tonge / Dougal Wilson / Jolyon White / Richard Biggs

Finalists

We Are The Superhumans – Yes I Can

Arranger: Guy Farley
Entrant: Guy Farley / SATV Publishing Ltd

Festive Football On Sky Sports – Carol Of The Bells

Arranger: Tom Howe
Entrant: Jamie N Commons / Native Music Supervision

BBC Rio Olympics – Not Gonna Break Me

Entrant not specified

Channel 4 Grand Designs

Arranger: Rich Martin
Entrant: Rich Martin at Envy Advertising

Gomorrah Series 2 – Ave Maria

Arranger: Tom Howe
Entrant: SATV Publishing Ltd